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傑若米羅斯演奏李斯特: b小調奏鳴曲/ 唐璜幻想曲/ 梅菲斯特圓舞曲

傑若米羅斯演奏李斯特: b小調奏鳴曲/ 唐璜幻想曲/ 梅菲斯特圓舞曲

作者 : 傑若米.羅斯

作者 : Jerome Rose

出版社 : Video Artists International

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定價 : NT 549

售價 : NT549

內容簡介


樂評家Bryce Morrison:許多火花四射的樂段,巨匠般的技巧,同時有著極佳的音樂感。……Medici Classics的錄音溫暖而自然。--留聲機雜誌,2005年8月號

鋼琴:傑若米‧羅斯Jerome Rose
發行:2004年
原廠:Medici Classics

樂評全文:
Gramophone
August 2005
by Bryce Morrison

Plenty of dazzling moments, as befits a virtuoso, but fine musical sense, too. Jerome Rose, who won first prize in the 1961 Busoni International Piano Competition (a competition notorious for not offering first prizes), has returned with a vengeance, recording many of the greatest masterpieces of the repertoire. His most recent offering is of three intimidating examples of the virtuoso repertoire and it is greatly to his credit that, although passionate and sincere, he is less inclined to leave his personal stamp on the music than to share his sense of Liszt's quality.

Rose hardly recreates the Sonata in its first audacity (it was considered incomprehensible and unplayable until Horowitz took it so formidably in hand) but sees it in a lucid, modern perspective, never labouring his points but balancing sense and sensibility with enviably clarity and assurance. In the Don Juan Fantasy he may be less athletic or sure-fingered than, say, Earl Wild or Bolet, but his playing could hardly be more clear-sighted. There are dazzling moments (the velocissimo plunge just before the final blaze) but overall you end feeling refreshed and elated rather than exhausted or temporarily impressed by a more forced or hectic approach.

Oddly, Rose refers in his notes to Liszt's 'many Mephisto Waltzes' (there are four, and the fourth is incomplete) but if he holds the first Waltz's diabolic frisson at arm's length his performance is never less than dextrous and musicianly. Medici Classics' sound is warm and natural and this is very much a record for those who continue to regard Liszt as possessing 'too much of the tinsel and the drum' (Clara Schumann).
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