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藝術獵豔 I (2DVD)

藝術獵豔 I (2DVD)

出版社 : 奇美發展文化事業有限公司

※ ※ 無庫存

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定價 : NT 350

售價9折, NT315

內容簡介


藝術獵豔 I
Art Safari I


「藝術獵豔」航遊藝術界、穿越嚴陣以待的畫商、收藏家與藝評家,試圖進入諸名家藝術創作的核心。本系列的製作並非受藝評或評論所驅使,而是出自骨子裡對藝術的好奇心。主持人或節目本身都不會提供觀眾任何結論,而是針對奇異強烈的藝術品,忠實呈現各種混雜衝突的意見。

Art Safari navigates its way through the art world’s phalanxes of dealers, collectors and critics, trying to get inside the head of its artist subjects. The idea was to make a series about art that is not driven by art criticism or review, but by a natural curiosity about art. Neither the programs nor the presenter tell the viewer what to think – rather they bring together a variety of mixed and conflicting opinions about strange and powerful works of art.

獲獎的深奧藝術導演班,在這低傳真(lo-i)系列影片中同時扮演收音師,偶爾充當藝術家的助理。其好友湊巧是獲獎紀錄片攝影師,用數位攝影機緊跟著導演於訪談間進行拍攝。影片效果非常接近藝術類家庭電影,不像是電視訪談節目般嚴肅,反倒像與當代藝術家非正式且較輕鬆的會面。藉此讓大眾以簡單的方式認識了解當代藝術,及藝術家創作的方式和概念。

Art geek and award-winning director, Ben Lewis, presents and works as sound recordist and occasional artist’s assistant in this lo-fi series, while his best friend (fortunately and award-winning documentary cameraman) follows him with his DV camera. The results are arts home movies -- close, informal and laidback encounters with artists unlike anything else on television.

溫‧德爾瓦:這是糞便藝術嗎? WIM DELVOYE: IS THIS SHIT ART?
村上隆:跟藝術鬧著玩TAKASHI MURAKAMI: TOYING WITH ART
蘇菲‧卡勒:概念化的心 SOPHIE CALLE: CONCEPTUAL HEART
聖地牙哥‧席拉:藝術對抗全球化SANTIAGO SIERRA: ART vs. GLOBALISATION
各集簡介:
溫‧德爾瓦:這是糞便藝術嗎?
比利時溫‧德爾瓦是全世界最鄙俗的藝術家,他創作了最惡名昭彰的現代藝術品:「坷耶卡」。這機械忠實複製人類消化系統-你在一端放入食物,另一端即生產出糞便。主持人班‧路易試著以各種方法測試德爾瓦作品的寫實程度。他到中國參觀德爾瓦的藝術農場,專門飼養嚴選豬隻以供刺青,豬之畫皮搖身一變為活生生的藝術品。班決定要成為新社區的一份子,他在後肩刺了幅德爾瓦的真跡,並請倫敦的蘇富比拍賣公司估價。

WIM DELVOYE: IS THIS SHIT ART?
Belgian artist Wim Delvoye is the world’s rudest artist and he has made the most notorious contemporary work of art, ‘Cloaca’. This machine reproduces the human digestive system – you put food in one end, and shit comes out the other. Ben sets off to test the realism of Delvoye’s work in all kinds of ways. His adventures lead him to China where Delvoye has a farm where he tattoos pigs as works of art. Ben decides to join in, and comes back with a work of art on his back which he gets valued at Sotheby’s.

村上隆:跟藝術鬧著玩
村上隆是日本最炙手可熱的當代藝術家,也是全球最棒的藝術投資標的,不到十年其作品價格就飆升了二十倍。村上隆將玩具及卡通人物以巨大規格重現,標榜為當代藝術,並成功打進國際藝術行銷界,在日本及紐約的工作室業務蒸蒸日上。他還身兼策展人,並舉辦藝術博覽會。村上隆將其藝術創作當成品牌經營,產品包羅萬象,從滑鼠墊到巧克力脆片都是品牌涵蓋的範疇。被譽為二十一世紀全新的安迪‧沃荷,他的創作乍看之下膚淺而商業化,但主持人班•路易斯前往東京實地考察,發現在這些繽紛雜沓的作品背後,隱含著詮釋日本戰後歷史的理論。

TAKASHI MURAKAMI: TOYING WITH ART
Takashi Murakami is Japan’s most successful contemporary artist, and also the art world’s best art investment — prices for his work have risen twenty times over in less than ten years. He makes super-sized toys and cartoons as contemporary art. He runs a huge international art business with studios in Japan and NY. He curates exhibitions and organizes art fairs. He has turned his art into a brand with everything from mouse pads to chocolate crunch. He is the new Warhol of the Twentieth Century. His art looks superficial and commercialized but Ben goes to Tokyo and discovers that behind it lies a theory about the history of Post-War Japan.

蘇菲‧卡勒:概念化的心
蘇菲‧卡勒是法國當代藝術的教母。她的創作結合了浪漫自傳與超然的概念主義。蘇菲允許主持人班‧路易斯拍攝一部關於她藝術的影片,但有一個條件,他必須想出一套儀式或規則讓她履行,類似她在創作裡受制約的規則。班提出一個又一個的構想,蘇菲卻以各種理由逐一推拒。在最後一次與藝術家會面時,班終於悟解出這遊戲的秘密以及蘇菲藝術的真諦。

SOPHIE CALLE: CONCEPTUAL HEART
Sophie Calle is the Grand Dame of French contemporary art. Her art combines romantic autobiography and detached conceptualism. She gives Ben permission to make a film about her on one condition: he has to think up a ritual or set of rules for her to follow, similar to the rules which govern her works of art. Ben submits idea after idea. She rejects one after the other. Finally, in a final encounter with the artist, Ben realizes that the secret of the game.

聖地牙哥‧席拉:藝術對抗全球化
聖地牙哥‧席拉是全球仍活耀最激進的藝術家。他在藝廊裡重現全球化經濟的剝削情境—他付毒癮者注射一針的代價,在他們背部刺青一條直線;他在西班牙僱數十位黑人移民挖掘廣闊的地景雕塑;將爛泥塞滿德國的博物館。他認為藝術界就像資本主義社會一樣腐敗。班跟隨席拉跑遍全世界,從漢諾威到首爾到杜拜,嘗試找出席拉為何能以挑釁的藝術創作達到目的。憑藉的不僅是他展現的嚴竣極簡主義,或是深受策展人青睞的反資本主義...,另有一項秘密的要素呼之欲出。

SANTIAGO SIERRA: ART vs. GLOBALISATION
Spanish artist Santiago Sierra is the world’s most radical living artist. He recreates the exploitation of the globalised economy in the art gallery – by paying junkies the price of a fix to tattoo a line across their backs, hiring scores of black immigrant works to dig a vast land art sculpture in Spain, and filling a museum in Germany with mud. He thinks the world of art is as corrupted as the world of capitalism. Ben follows Sierra across the world from Hanover to Seoul to Dubai, to try to find out how Sierra manages to get away with such confrontational works of art. It is not just his rigorous minimalism, or the popularity of anti-capitalism among curators… There is another secret ingredient.
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