Strangely beautiful album from Heinz Holliger, with the Swiss composer drawing inspiration from very Swiss sources. The centrepiece of this recording is the vocal cycle “Puneigä” which sets the poetry of Anna Maria Bacher, who writes in an idiom threatened by extinction: the Walser-German language of Pumattertisch, native to the Pomater valley. “Holliger regards a word, like a breath or a heartbeat, as a physical impulse” (Michael Kunkel, in the liner notes). Soprano Sylvia Hopper sings, amid transient sounds intoned by flute, horn, cello and viola. Mrs Bacher also recites her verse in a sequence of unaccompanied readings. “Induuchlen” itself is comprised of four songs with words by Albert Streich, for countertenor and natural horn, and the album is bookended by two pieces set up to challenge the resourcefulness of ensemble players and soloists - “Toronto Excercises” and “Ma’mounia” - with Holliger in conductor’s role. The recording is issued simultaneously with Holliger’s Bach album “Ich hatte viel Bekümmernis”.