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莫札特: 鋼琴協奏曲第18&22

莫札特: 鋼琴協奏曲第18&22

作者 : 麥可.亞歷山大.威廉斯/ 科隆學會合奏團/ 羅納德.布勞提岡

作者 : Michael Alexander Willens/ Die Kolner Akademie/ Ronald Brautigam

出版社 : HYPERION RECORDS

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定價 : NT 700

售價9折, NT630

內容簡介


The sixth disc in this highly acclaimed series combine two works in which Mozart's powers as an
orchestrator come to the fore. Concerto No. 18 in B flat major, K 456, is sometimes referred to as
one of the composer’s ‘military concertos’ on the basis of the march-like main theme of the first
movement. But more striking is the variety of ways that Mozart employs the various groups of
instruments: strings, wind instruments and, of course, the piano. This aspect certainly didn’t pass
unnoticed by a listener as initiated as Mozart’s father Leopold: in a letter to his daughter Nannerl he
described how his enjoyment of the orchestral interplay had brought tears to his eyes. The
performance that Leopold was referring to was by Mozart himself at a concert in Vienna in 1785, but
the work is believed to have been written for the blind virtuoso Maria Theresia von Paradis to play on
a concert trip to Paris, and the demanding piano part leaves us in no doubt about her abilities as a
pianist. Concerto No. 22 in E flat major, on the other hand, is one that Mozart wrote primarily for his
own use, completing it on 16th December 1785, and performing it later the same month. It is the first
of only three piano concertos in which he uses clarinets, to particular effect in the expressive
Andantino cantabile episode of the otherwise ebullient Finale. The orchestra is on the whole
unusually large, with trumpets and timpani, and horn parts which are uncommonly independent and
important to the musical argument.
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作者介紹

■作者簡介

Die Kölner Akademie

Ronald Brautigam

Michael Alexander Willens

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