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哲仁卡: 耶利米哀歌

哲仁卡: 耶利米哀歌

作者 : 一七零四聯盟古樂團

作者 : Collegium Marianum/ Jana Semeradova/ Damien Guillon/ Daniel Johannsen/ Tomas Kral

出版社 : SUPRAPHON RECORDS

※ ※ 無庫存

無庫存

定價 : NT 600

售價9折, NT540

內容簡介


The emotive Old Testament Book of Lamentations, ascribed to the Prophet Jeremiah, has been the subject of a number of settings since the Middle Ages, with that of Jan Dismas Zelenka occupying a significant position among them. One of his first mature works composed during his time at the Dresden court, the Lamentations, alongside the Sepolcri, written for Prague (Supraphon SU 4068-2),and Responsories,are intended for Holy Week. In his Lamentations, performed as part of the liturgy of Tenebrae, the Service of Shadows, Zelenka succeeded in combining the contemplative aspect with a powerful dramatic charge. His penchant for unusual instrumentation is evident in, for instance, the final Lamentation (solo violin, bassoon and chalumeau, an instrument akin to todays clarinet). Zelenka only set to music two lessons of the first Nocturn for each day; on the present recording, every third reading takes the form of Gregorian chant, as was most likely heard at the Dresden court. The renowned Collegium Marianum ensemble has materialised the very first complete recording of Zelenkas Lamentations in the second millennium, one characterised by rigorous instrumentation, profound performance and remarkably conceived by three stellar soloists (Damien Guillon, Daniel Johannsen andTomáš Král). Chain, Prague, May 21, 22 and 26, 2014 Recording director Jiří Gemrot, sound engineer Aleš Dvořák The emotive Old Testament Book of Lamentations, ascribed to the Prophet Jeremiah, has been the subject of a number of settings since the Middle Ages, with that of Jan Dismas Zelenka occupying a significant position among them. One of his first mature works composed during his time at the Dresden court, the Lamentations, alongside the Sepolcri, written for Prague (Supraphon SU 4068-­‐2), and Responsories, are intended for Holy Week. In his Lamentations, performed as part of the liturgy of Tenebrae, the Service of Shadows, Zelenka succeeded in combining the contemplative aspect with a powerful dramatic charge. His penchant for unusual instrumentation is evident in, for instance, the final Lamentation (solo violin, bassoon and chalumeau, an instrument akin to today’s clarinet). Zelenka only set to music two lessons of the first Nocturn for each day; on the present recording, every third reading takes the form of Gregorian chant, as was most likely heard at the Dresden court.

 
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作者介紹

■作者簡介

Collegium Marianum

Damien Guillon tenor, Daniel Johannsen tenor, Tomáš Král bass

Jana
Semerádová

Jan Dismas Zelenka

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