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Art Record Covers

Art Record Covers

作者 : Julius Wiedemann/ Ed.

出版社 : TASCHEN UK

※ ※ 此商品需調貨,備齊後出貨

可訂購

定價 : NT 2,450

售價9折, NT2,205

內容簡介


精選50年代至今日最經典的唱片封面藝術設計

自從現代主義的出現,視覺與音樂之間一直有密不可分的關係。從1913年路易吉•魯索洛的未來派宣言代表作《噪音的藝術》(L Arte dei Rumori ),到1925年馬賽爾‧杜象的雙面唱片《旋轉釋放》(Rotereliefs),20世紀則不斷湧現豐富的唱片設計藝術作品,將音符及旋律轉化為經典難忘的平面影像,進而讓聽眾產生共鳴。本書彙整500組唱片封面代表作,探索現代藝術、普普藝術、觀念藝術及後現代藝術作品,同時解析幾位音樂界代表人物作品的設計者,包括擅長利用象形文字創作的尚•米榭•巴斯奇亞、班克斯為布勒樂團所創作的塗鴉風面、達米恩的骷顱頭創作、達利為了傑基•葛里森的《Lonesome Echo》專輯所創作在沙漠中虛幻的蝴蝶等。同時收錄多位知名視覺藝術家Tauba Auerbach、謝帕德‧費爾雷及樂團代表人物「音速青春」主唱Kim Gordon等人的獨家專訪內容。

Sound art 
An unprecedented collection of artists’ record covers from the 1950s to today 

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Henri Matisse’s Music (1910) and Hugo Ball’s sound poem “Karawane” (1916) to Wassily Kandinsky’s visual “chords,” the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. 

In this unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents over 600 album and record covers given the artistic treatment from the 1950s through to today. Ordered by artist, the covers reveal how modern, postmodern, Pop Art, street art, and conceptual practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. 

Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s synecdoche skull for The Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. The covers are featured with succinct analyses and each with a fact sheet listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts and insights on the collaborative relationship between artists and musicians.

Text in English, French, and German












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