On September 29th, Ibeyi will release Ash via XL Recordings. Their first album, the eponymous Ibeyi, grappled with the past—the sister’s relationship, origins, loss, and roots. It earned them fans and collaborators in some of the most iconic and crucial artists of today, Beyoncé and the Alvin Ailey American Dance Theatre included. By contrast, Ash is a more visceral and potent political statement, and while firmly rooted in Afro-Cuban culture and history, finds itself entirely concerned with Ibeyi’s present: Who Lisa-Kaindé and Naomi are, what’s important to them, and how they live today, especially given that the spheres, both personally and politically, are entirely different from when Ibeyi was recorded. It’s also a testament to their cathartic live performances, where they’re able to transmute a vast array of emotions—sorrow, anger, sensuality, happiness—to and through their fans. Ash is also a study in deft electronic production. Ibeyi worked once again alongside XL head Richard Russell, a confidante and friend, to produce Ash at his studio. “We absolutely wanted, 100%, to work with him again: It was not even a question,” Lisa-Kaindé says. “Richard is an amazing producer...wherever you want to go, he will guide you there. But it feels like you’re playing with him. You’re sharing ideas together and he has an amazing ear. It’s like a flow, it’s really easy.” To that effect, Naomi adds: “It’s like we produced the album too, actually, and it’s a good feeling.” Along with Russell’s stylized production sensibilities, Ibeyi drew from a host of influences ranging from Kendrick Lamar, Jay Electronica, Meshell Ndegeocello, Erykah Badu and Nina Simone and beyond, to craft the wide-ranging musical landscape of Ash.